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Catullus 101

Multas per gentes et multa per aequora vectus

Carried through many nations and over many seas


advenio has miseras, frater, ad inferias,

I arrived, brother, for these wretched funeral rites


ut te postremo donarem munere mortis

So that I might present you with the last tribute of death


et mutam nequiquam alloquerer cinerem.

and speak in vain to silent ash,


Quandoquidem fortuna mihi tete abstulit ipsum.

Since fortune has carried away from me you in the flesh


Heu miser indigne frater adempte mihi,

Atlas, poor brother, unfairly taken away from me,


nunc tamen interea haec, prisco quae more parentum

now in the meantime, nevertheless, these things which in the ancient custom of ancestors


tradita sunt tristi munere ad inferias,

are handed over as a sad tribute to the rites


accipe fraterno multum manantia fletu,

receive, dripping much with brotherly weeping.


atque in perpetuum, frater, ave atque vale.

And forever, brother, hail and farewell.



Adonais written by Percy Bysshe Shelley (1792-1822)

Saturday, June 30, 2007

Cyanocitta Cristata (Blue Jay)

Again it is with delight that I share with you another poem created in a spacious and elegant cottage flanked by the suburban forest. The gorgeous evergreens, deciduous trees and pines provide a welcome habitat for wildlife. Truly, nature is at its best as the eyes hold in awe the flora, and fauna doing what comes naturally throughout the four seasons of the year. The beauty of the environment like a banquet table placed before me. The feast truly sumptuous and wholesome did not cause a dent in my visa master card. Now isn’t that something to brag about!

The behaviour of the birds among the trees provides a natural theatre for the discerning eyes amid the ever changing weather patterns. The window view from where I sat provided the proper undercover to see the behaviour and shenanigans of squirrels, bees, butterflies and all sorts of birds which have made their homes in Ohio. This constant interaction of animals and birds in the wild is awesome.

It was from that vantage point that a bizarre scene played out between an American robin and a blue jay. The sky wore one of the many shades of blue that usually comes in the spring time when the day-star cascades its light with lustre. The drama unfolded when a robin was the first to take its position on a high bough of the tree which forms the back-drop of my bedroom window. A moment later, half second or so, another bird, the blue jay landed on the tree garlanded with ivy vines. A territorial war had broken out because the blue jay would have no other bird perching on the uppermost bough of the tree; that much I figured out from the blue jay’s body language. How dare you sit on that high bough, you arrogant robin! They fought and they fought; beaks crashing left, right, back, and centre. It was obvious that the blue jay would win the struggle because with each blow of its beak the robin fell to a lower bough on the tree. The territorial war ended with the defeated American robin having to accept its place on the lowest bough of the tree and there it remained as captured by my camera's lens; by the time I was ready for the next shot, the blue jay would have none of it; it flew away.





















The behaviour patterns of these two birds caused me to think again for a moment. This reflection brought to the fore a perceived notion of how politicians behave during the race for the high office of the land. The blue jays are out in full array providing a formidable force for the adversarial stance of the robins. Hahaha! Yea, we can learn so much from the birds. The winner takes all. So it was only natural for me to write a poem about the blue jay that brought aviarium drama one early spring morning. The drama took place in April so the poem was also in recognition of “Poetry Month”. Now that’s what I called “killing two birds with one stone.” Please enjoy the poem not the “killing”. (I’m smiling).

Cyanocitta Cristata







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Crested, blue chattering bird; yes you are,
Keeping my company all winter long;
My other feathered friends have gone afar,
From the snow and icy winds howling strong;

Monogamously you mate ‘til you die
Great! if humans on this trait would partake
To stop the divorce rate which is sky high
Remember your marriage vows for God's sake.

From my Ohio home I see you perch
On the highest bough, there you take your place;
Cardinals and robins too, fear your birch
Your attacking skills show on pretty face.

Fearless as love my jay-bird cocks its crest
On the gray limb of a snow-flecked maple;
Blue, white and black bedeck its fancy dress
What shenanigans will you once more pull?

Casey chased you from her backyard feeder
She said you displayed a bad attitude
And that you are a corvid pilferer
Stealing and raiding with high latitude.

I think Casey was harsh, mean and unfair
For you only wanted to eat and play
Musical notes across the woodland air;
With fervent zest you do this night and day.

From dawn to dusk I hear my blue jay’s call
High in the forest trees it sings for me
Throughout the winter, spring, summer and fall
Its musical wheedle and tooloolee.

Cyanocitta cristata my true love
I shall miss your sweet notes your voice recalls,
And your gorgeous body floating above
With peculiar quirks, ruffles and falls;

I’m leaving Buckeye for the surf and sand,
It’s for a while but I must go away
To raise black-belly sheep on Maycock’s land;
Shall be back jay-jay on Thanks Giving Day.

© Paterika Hengreaves
April 24, 2007, Ohio, USA

The Quatrain form is used in the creation of the poem, “Cyanocitta Cristata. This poem alludes us to the behaviour patterns of this beautiful song bird, the blue jay. The imagery of the poem brings to the fore the feelings of adoration and empathy portrayed by the persona. It is for these very reasons that the Quatrain was the preferred way to go. This is so because the Quatrain allows emotions to be expressed warmly in a short-story-like progression. The verses in this poem have a rhyme scheme of abab in the Iambic Pentameter verses. The Iambic Pentameter refers to a verse consisting of five iambic feet. This is among the most common metrical forms of English poetry. It consists of an unstressed and a stressed syllable. In the word, “attack” the first syllable is unstressed and the last syllable is stressed. Hence, it has one iamb so it measures one iambic foot. In order to structure a verse in standard Iambic Pentameter would require five iambs. A quatrain is made of four verses.

It must be noted, however, that instead of having standard Iambic Pentameter verses in this poem, variations are found in these Iambic Pentameter verses. As prosody would have it; it is not uncommon for this variation to occur in Iambic Pentameter verses, while maintaining the iambic as the dominant foot. However, convention allows that these variations must always contain only five feet. The second foot is almost always an iamb. The first foot is the one most likely to change by the use of the inversion technique. This is to counteract the metronomic effect by substituting for an iamb another type of foot whose stress is different. So it is not unusual to see any of these (trochee, spondee, dactyl, anapaest or pyrrhic) appearing in Iambic Pentameter verses. Most inversions tend, however, to fall on a trochee.

3 comments:

Discussyourproblem said...

I have gone through your blog. I liked it too much. You have written very beautiful poems. If you permit can I use some of the poems and pictures in my blog.

Regards,
Sanjeev
You can write me at discussyourproblem@gmail.com

Blazer said...

A very creative Blog. I like it.
'll come back.
Greetings from Bavaria
Blazer

GringoDownSouth said...

Very nicely written! And so beautifully too. I would point out something about your site though, the title seems out of focus and it messes with my eyes hehe.

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In plenty and in time of need
When this fair land was young
Our brave forefathers sowed the seed
From which our pride was sprung
A pride that makes no wanton boast
Of what it has withstood
That binds our hearts from coast to coast
The pride of nationhood



Chorus:


We loyal sons and daughters all
Do hereby make it known
These fields and hills beyond recall
Are now our very own
We write our names on history's page
With expectations great
Strict guardians of our heritage
Firm craftsmen of our fate




The Lord has been the people's guide
For past three hundred years.
With Him still on the people's side
We have no doubts or fears.
Upward and onward we shall go,
Inspired, exulting, free,
And greater will our nation grow
In strength and unity.



Chorus


We loyal sons and daughters all
Do hereby make it known
These fields and hills beyond recall
Are now our very own
We write our names on history's page
With expectations great
Strict guardians of our heritage
Firm craftsmen of our fate

The tree that gave Barbados its name

Independent Barbados Shelved Guy Fawkes Night

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Halloween Poetry - Pirates of the Caribbean

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No Friendly Sky Anymore
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Didactic Poetry is intended to convey instruction and
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National Anthems of New Zealand

Anthem 1

Māori Version

E Ihowā Atua,
O ngā iwi mātou rā
Āta whakarangona;
Me aroha noa
Kia hua ko te pai;
Kia tau tō atawhai;
Manaakitia mai
Aotearoa

Ōna mano tāngata
Kiri whero, kiri mā,
Iwi Māori, Pākehā,
Rūpeke katoa,
Nei ka tono ko ngā hē
Māu e whakaahu kē,
Kia ora mārire
Aotearoa

Tōna mana kia tū!
Tōna kaha kia ū;
Tōna rongo hei pakū
Ki te ao katoa
Aua rawa ngā whawhai
Ngā tutū e tata mai;
Kia tupu nui ai
Aotearoa

Waiho tona takiwā
Ko te ao mārama;
Kia whiti tōna rā
Taiāwhio noa.
Ko te hae me te ngangau
Meinga kia kore kau;
Waiho i te rongo mau
Aotearoa

Tōna pai me toitū
Tika rawa, pono pū;
Tōna noho, tāna tū;
Iwi nō Ihowā.
Kaua mōna whakamā;
Kia hau te ingoa;
Kia tū hei tauira;
Aotearoa

English Version

God of Nations at Thy feet,
In the bonds of love we meet,
Hear our voices, we entreat,
God defend our free land.
Guard Pacific's triple star
From the shafts of strife and war,
Make her praises heard afar,
God defend New Zealand.

Men of every creed and race,
Gather here before Thy face,
Asking Thee to bless this place,
God defend our free land.
From dissension, envy, hate,
And corruption guard our state,
Make our country good and great,
God defend New Zealand.

Peace, not war, shall be our boast,
But, should foes assail our coast,
Make us then a mighty host,
God defend our free land.
Lord of battles in Thy might,
Put our enemies to flight,
Let our cause be just and right,
God defend New Zealand.

Let our love for Thee increase,
May Thy blessings never cease,
Give us plenty, give us peace,
God defend our free land.
From dishonour and from shame,
Guard our country's spotless name,
Crown her with immortal fame,
God defend New Zealand.

May our mountains ever be
Freedom's ramparts on the sea,
Make us faithful unto Thee,
God defend our free land.
Guide her in the nations' van,
Preaching love and truth to man,
Working out Thy glorious plan,
God defend New Zealand.

Anthem 2

God Save the Queen

God save our gracious Queen,
Long live our noble Queen,
God save The Queen.
Send her victorious,
Happy and glorious,
Long to reign over us:
God save The Queen.

O Lord our God, arise,
Scatter our enemies,
And make them fall;
Confound their politics,
Frustrate their knavish tricks;
On thee our hopes we fix:
God save us all.

Thy choicest gifts in store
On her be pleased to pour,
Long may she reign.
May she defend our laws,
And ever give us cause
To sing with heart and voice,
God save The Queen.

Note: The second verse of 'God Save The Queen' is commonly omitted.

Today's Featured Poem in Blank Form

Charlie Douglas
by Bob McKerrow

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Ohio Sunrise July 6, 2007

Ohio Sunrise July 6, 2007

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